The wolf in myths and fairy tales

Wolves have returned to Germany. And they polarize society: Some people would rather shoot them, others want to keep them safe at any cost. How we see wolves is influenced by literature and art — where the "big bad wolf" has frightened people for many centuries.

The wolf in the fairy tale "Little Red Riding Hood" outsmarts the red hooded girl on her way to visit her sick grandma. The animal sends her to pick flowers so it can run ahead, devour the grandmother and lie in wait for the unsuspecting girl in the woman's bed. When the child finally reaches grandma's house, she is surprised by the old lady's looks, but doesn't make the obvious connection.

Grandma might seem odd to the girl, but she doesn't have much time to think about it, because the wolf devours her, too. Luckily, a hunter is nearby. He cuts open the sleeping wolf's belly, and both grandma and the little girl jump out, safe and sound. The wolf is stuffed with heavy stones, wakes up, collapses and dies.

Johann Wolfgang Goethe's epic poem "Reynard the Fox" also ends with the wolf's death. The tale goes back to a medieval fable. Reynard the fox manages to defeat all of his animal foes, even the wolf Isegrim, who is actually stronger. As a result, the clever fox is appointed chancellor of the animal kingdom by the lion king.

Ovid's poem "Metamorphoses" inspired numerous artists. The above 1589 copperplate engraving "Zeus Turning Lycaon into a Wolf" is from the workshop of Hendrick Goltzius. In Greek mythology, Lycaon drew Zeus' ire because he served him human flesh to test him. Zeus, king of the gods, turned him into a wolf in return, arguing that the transformation would allow Lycaon to indulge in his lust to kill.

"The Wolf Hunt" by Willem van der Leeuw is another example of a popular copperplate engraving, a copy of a painting by Peter Paul Rubens, the Flemish painter who masterfully depicted motion in his works. In the Baroque era, such reproductions sold well and were made in large numbers. They also served as a form of advertisement for the artist and his workshop.

The exhibition displays more than 30 artworks showing wolves. The images from 16th through the 19th centuries generally portray wolves as aggressive and out for blood, establishing the grim image we still have of wolves today. That fear is unfounded, as wolves are hardly dangerous to people. There hasn't been a single attack on humans in the almost 20 years since wolves resettled in Germany.

Rome's foundation myth includes not a big bad wolf, but a good-natured one — the she-wolf that rescued and nursed the abandoned twins Romulus and Remus. In another version of the story, the term "lupa," or wolf, does not refer to a she-wolf at all: it's rather the slang word for prostitute.