Exhibition 'Walking Through Walls' echoes Berlin Wall experience
Even 30 years after the fall of the Berlin Wall, the subject has lost none of its topicality. "Walking Through Walls" in Berlin's Martin-Gropius-Bau is a contemporary response to the subject of confinement.
Mona Hatoum: 'Waiting is Forbidden,' 2006–2008
"Waiting is forbidden" is written in Arabic and English on the blue road sign: a warning for all marginalized groups, whether homeless or — as in the case of the artist herself — fugitive. The work deals with the artist's personal experience after she had to emigrate to London due to the Lebanese civil war.
Gustav Metzger: 'In Memoriam,' 2005
Metzger's sculpture deals with the history of Jewish refugees and links it thematically to the situation of today's refugees worldwide. Visitors can easily enter and move through the cardboard labyrinth until the passage narrows further and further — and is finally completely blocked.
Michael Kvium: 'Beach of Plenty,' 2017
At first glance, the painting shows a holiday paradise. At closer look, one sees a rubber boat approaching the beach. One person has even gone overboard and is calling for help. The discrepancy between carefree vacationers and refugees who meet here becomes evident. The Mediterranean is the border between these contrasting realities.
José Bechara: 'Ok, Ok, Let's Talk,' 2006
Fifty wooden tables, some slightly inclined, are joined together in this sculpture. Two chairs facing each other protrude from the table. The work illustrates the difficulties in interpersonal communication that arise when the other person's intentions remain unclear and dialogue becomes impossible. The work is an appeal for open exchange.
Tagreed Darghouth: 'Vision Machines; Shall You See Me Better Now?,' 2019
The series "Vision Machines" by Lebanese artist Tagreed Darghouth shows cameras, drones, satellites and other devices that can be used for surveillance. It is a critique of modern society in which citizens are restricted and put under pressure through constant supervision.
Dora García: 'Two Planets Have Been Colliding for Thousands of Years,' 2017
Walking along markings on the floor, both actors and visitors participate in this performance. The installation illustrates the metaphorical walls that separate us from the people in our environment. It, too, is an appeal for better communication.
Anri Sala: '1395 Days without Red,' 2011
The video installation deals with the Yugoslav civil war and the siege of the city of Sarajevo, which began in 1992 and lasted for almost four years. It addresses the trauma of the city's inhabitants and their attempt to go on with everyday life.